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New article: The Earliest Known San’a Hebrew Illuminated Pentateuch, San’a, Yemen, 1206

The Jubilee Volume in honor for Prof. Yosef Tobi , entitled: Ayelet Oettinger & Danny Bar-Maoz (eds.), Mittuv Yosef, Yosef  Tobi Jubilee Volume. (3 volumes). Haifa, was published and its volume II [the non Hebrew volume], pp. xviii-xlv, includes my article: The Earliest Known San’a Hebrew Illuminated Pentateuch, San’a, Yemen, 1206. (Pictures from the article available here).

Yemeni Hebrew illuminated Biblesi are famous, however, those from the thirteen century were not researched yet. The aim of this article is in respect of the earliest known illuminated Pentateuch, Sanaa 1206, now in the JTS, New York. I wish to shed light on its art program, from both Jewish and Islamic Art in Yemen, as well as, its relationship with the Art of the Cairo Geniza community.

Although it is documented in the Lutzki catalog, which is the inside catalog of the Jewish Theological Seminary, New York, (henceforth JTS), its art program was never researched.

The Earliest Known Sansa Hebrew Illuminated Pentateuch, Sansa, Yemen, 1206, in JTS, New York, is much earlier than the well known ”The Sansa Pentateuch”, Sansa 1469,  in The British Library, London.

The art programs of the two were never juxtaposed and never compared. I intend to do that in a different article.


New article: The Ostriches Pentateuch Rada’ (South Yemen) End of the Twelfth Century

TEMA, JOURNAL OF JUDEO-YEMENITE STUDIES, No. 11, 2011, was published and includes my article: The Ostriches Pentateuch, Rada? (South Yemen) End of the Twelfth Century. (Pictures from the article available here).

Ostriches are found in three Hebrew illuminated Bibles from Yemen. Each was scribed and painted in a different town: Rada’ (רדאע), south Yemen, Aden and Sanaa. The fact that three different Jewish scribes in three different places in Yemen made the same art decision to paint ostriches in an Hebrew Pentateuch, clearly suggests that the idea of ostriches was important to Jews of Yemen. It is therefore not surprising that the earliest Jewish art program showing ostriches, known today, is in an Hebrew Bible. The focus and the aim of this article are to understand why.

It should be noted that only a few Hebrew illuminated Bibles from Yemen have survived and those from the twelfth and thirteen centuries were not researched yet. Although it is documented in the Lutzki catalog, which is the inside catalog of the Jewish Theological Seminary, New York, (henceforth JTS), its art program was never researched.

If you would like to buy TEMA please contact Hagit Goodman at: hagoda@barak.net.il